GuitarSam eZine
Play It Again Sam's
GuitarSam eZine,
Vol.
15
January 4, 2000
www.guitarsam.com

 
eZine Index

IN THIS ISSUE:

-About Play It Again Sam
-SoundAdvice (musical tips)
-Interview with Frank Marino and Mahogany Rush
-Best Music Links
-Ask Edly..Music Theory Q+A
-NEW! Harmonica Q+A with Richard Hunter
-Talking with Dan Frank, Trueline Drumstick Co.
-Upcoming Interviews
-Paul Rishell: Country Blues Guitar Workshop
-Annie Raines: Blues Harmonica Workshop
-Monthly Giveaway
-Last Month's Winner
-Ordering from Us
-Previous eZine Issues
-Reader Feedback
-Our Email Policies
-Contact Information

 

About PLAY IT AGAIN SAM

Play It Again Sam in the News!

In November and December 1999, Play It Again Sam was featured in USA Today, ABC World News, and CNN. Not bad!

www.guitarsam.com

Play It Again Sam is located in Montpelier, Vermont, USA, and is an authorized musical instrument dealer for:

Fender

Epiphone

DeArmond

Peavey

Tacoma

Weber

Alesis

Ovation

Deering

Washburn

Applause

Goodtime

Danelectro

Kawai

Vega

Roland

Tascam

Pearl

DOD

SansAmp

Bill Lawrence

Digitech

Tech 21

Everyone's Drumming

LP

Toca

Dimarzio

Mackie

Dean Markley

Smokey Amps

EBow

Dunlop

Benson Audio

Shure

Palmer

Akai

Trueline

RhythmTech

Vic Firth

Promark

And many other world-renowned guitars, banjos, mandolins, keyboards, amplifiers, effects, drums, music books and accessories.
 
We ship worldwide! For shipping prices in the 48 connected United States, see our shipping chart at www.guitarsam.com/services/order.htm
 
If you live outside of that area, email us for a discounted shipping quote.
sam@guitarsam.com
 
Visit Play It Again Sam, the friendliest guitar shop on the Internet, at
www.guitarsam.com
 
 

SoundAdvice-musical tips

 
REMEMBER! If you're not confident with certain instrument or equipment maintenance procedures, be sure to seek qualified assistance before attempting to do it yourself!
 

Jon Connors writes to us about soundproofing:

This isn't really a question, but a reply to an answer regarding sound-proofing. Egg cartons do not work. That is a myth. I recently converted a two car garage into a pro studio. As far as sound proofing went, this is what I did. I insulated the outside walls with R-11 sound control insulation. I then covered those walls and the ceiling with acoustic tiles, then covered the walls and the ceiling with rolled roofing. I then built a wall within a wall, 6 inches in all the way around. I repeated the same steps on the inner wall adding two layers of 5/8 fire code drywall. I built the control room in a similar fashion. I removed the overhead doors, so that wasn't a problem. I installed a utility door and covered the inner side of it with acoustic tiles and then cork. This is a basic rundown of how I soundproofed my studio. The cost was about $2,500. I hope this information is useful to somebody.

Jon Connors, Ironman Studio


For musical tips about many instruments and music topics, see SoundAdvice, our FAQ site at

www.guitarsam.com/soad/soundadvice.htm


Do you have a special tip or trick? Email it to us! We'll publish your favorites, and give you credit for submitting it! kevin@guitarsam.com

 

Interview with FRANK MARINO
and MAHOGANY RUSH

www.guitarsam.com/interviews/frank_marino.htmfrank marino, mahogany rush

Since the early 70's, it's been unlikely that one could have a conversation regarding the guitar greats without mentioning Frank Marino and Mahogany Rush. Mahogany Rush spirited the power trio concept to all-new heights, recording many albums for Columbia and other labels, and becoming one of guitar history's most popular touring bands. Frank Marino generously spent some time with us answering a few curious questions.

We hope you enjoy this very special Frank Marino interview at:

www.guitarsam.com/interviews/frank_marino.htm

 
 

Best Music Links

 
MUSICAL EDVENTURES
www.edly.com
Our friend Edly, the music theory expert.
 
FRANK MARINO & MAHOGANY RUSH
www.wildwilly.com/marino1.html
www.mousesupport.com/jjazz/music/Frank_Marino/
 
PAUL RISHELL & ANNIE RAINES
www.paulandannie.com
Vintage blues in a brand new bottle!
 
RICH BRIERE
www.richbriere.com/
Fender rep, bass player, see what else...
 
ACOUSTICGUITAR WORKSHOP
www.acousticguitarworkshop.com/index.htm
Best way to learn blues on-line!
 
BIG HEAVY WORLD
www.bigheavyworld.com
Music scene in Burlington VT
 
TOM RUSH
www.tomrush.com
Also see our interview with Tom Rush at
www.guitarsam.com/interviews/tom_rush.htm
 
NOKIE EDWARDS
www.nokie-edwards.com
Lead guitarist of the Ventures!
See our Nokie interview at:
www.guitarsam.com/interviews/nokie_edwards.htm
 
RHS DESIGN
www.RHSDesign.com
Graphic artist, webmaster, creator of the best rock sites
 
BUCH SPIELER MUSIC
www.bsmusic.com
CD's, wacky cards, much more...
 
ART EDELSTEIN'S CELTIC FINGERSTYLE PAGE
www.sover.net/~arte/index.html
Must-click for fingerstyle players
 
COWSILLS
www.cowsill.com
These 60's stars are better than ever!
 
DAVE KELLER BAND
www.davekeller.com
Vermont-made blues
 
GUITAR NEWS WEEKLY
www.guitarsite.com
The other best guitar newsletter
 
THE TWENEY REPORT
www.tweney.com
Internet commerce report with no candy coating

--------------------------------------------------

See Play It Again Sam's extensive music links page at
www.guitarsam.com/services/links.htm

We share our favorite music manufacturers, musical artists, music interest, and other sites.

 

Ask Edly...Music Theory Q+A

edlyThis month's question of theory comes courtesy of Edly's website, at www.edly.com
 
Dear Edly:
I use the major pentatonic scale to jam along with some Eagles songs, such as "Take it Easy" and "Already Gone", but am having trouble figuring out what to use with some Creedence Clearwater Revival songs, such as "Have You Ever Seen the Rain." Any suggestions?

--Marty, Brigham City, UT

 
Edly answers:
Actually, these songs are all much more alike than they are different, regardless of composers/performers. They are all mostly diatonic, using the I, IV, V (no surprise so far), and, to a lesser extent, the vim and iim chords. Therefore, the major and major pentatonic scales (on the appropriate root--it happens these are in the key of G!) are a great starting point. To go to the next level, easier said than done, but well worth the journey, you'll want to be aware of the chord progression, and take advantage of chord-tones in your improvisation. Thistle make a HUGE difference in the sound of your leads. Songs as simple as this are very forgiving in this respect, and are therefore again a good place to start.
 
Speaking of the Eagles, a song such as "Hotel California" is considerably more ornery. Just jamming on a minor pentatonic or blues scale (the-likely starting point. although the harmonic minor cries out for inclusion) will yield a pretty dull solo. On the other hand, following (or leading) the chord changes with your lead, including new chord-tones in favor of preceding chord-tones can result in a real tasty solo, given good phrasing, tone, texture, eta. Being in control of scale choice, chord-tone inclusion, and tension/resolution is what separates the greats from the rest of the gang.
--Edly
--www.edly.com

--------------------------------------------------

What is music theory, anyway? You hear so much about it, but does anybody really know what it is? Edly does!
 
Scales? Chords? Keys? Ear-training? Modes? Toads?
 
If you need help connecting the musical dots or playing musical works, send us your best (or dumbest) questions, and we'll have Edly, one of Earth's leading music theory experts, field the responses.
 
To get your head keyed in the right direction, visit Edly's website "Musical EdVentures" at www.edly.com
 
Beam your music theory questions to us at askedly@guitarsam.com
 
Purchase "Edly's Music Theory for Practical People".
In theory, it'll be the best $25 you ever spent.
 
Email us at sam@guitarsam.com for ordering details.
 

Richard Hunter...Harmonica Q+A

richard hunterThis month, year, and millennium mark the first appearance of our new Harmonica question and answer column, hosted by world-class player Richard Hunter...composer, performer, recording artist and music author. Richard Hunter is the author of "Jazz Harp", from Oak Publications.

Richard Hunter's recorded works include "The Act of Being Free in One Act", which is the first full-length CD of works for unaccompanied harmonica ever recorded, and "The Second Act of Free Being", a CD that takes solo harmonica to a new level. Check Richard's website at www.rootsworld.com/hunter/ to purchase these CD's, and to learn more about Richard Hunter and the art of playing the harmonica.

If you have questions about harmonica playing technique, use of different keys, bending, blowing, maintaining and so on, send them to us at sam@guitarsam.com, and we'll have harmonica virtuoso Richard Hunter provide an expert answer for you.

A reader asks:

I have several Hohner 270s. I am doing something wrong because after about two weeks or so they begin to have sticky notes in some of the holes. Then when I draw or blow the note is very week and then sort of pops out. This is very distracting to me. I play about three hours per day as I am trying to learn.

Now the question is how do I clean them after this happens. I have used cold water, warm water, and even water with soap in it to try to get the reads to stop sticking. But soon after I begin to play with the harp the notes begin to stick again. It does not happen until I have played a new harp for about a week or two.

Richard answers:

You're not doing anything wrong. The problem you describe here results from sticky valves or "windsavers;" those are the little white plastic strips you see when you take the cover plates off, and windsaver problems are very, very common with chromatic harps. Windsavers are found covering both draw and blow reeds in the chromatic harp, but the only one that stick are the ones covering blow reeds (which, fortunately, are the visible ones, so you don't have to take the reed plates off to fix problems).

Essentially, sticking (and lots of other problems with valves) occur when your hot breath collides with (colder) outside air, which results in condensation forming on the valves. (That's why only the blow reed valves have problems; when you breathe in, there's no collision between warm and cold air, hence no condensation.)

The first thing you might try is warming your chromatic harps with a heating pad before you play them, which is something the classical virtuoso Robert Bonfiglio does before every performance.

The "popping" sound you refer to results from the two halves of the valve sticking to each other (again, because of condensation); they separate with an audible "pop" when you blow on the reed. A preventive maintenance procedure is to put a small kink in the valve, just above the point where the valve is glued to the plate. Take off the cover plates, slide an arm of a paper clip or similarly thin piece of metal under the valve (taking care not to lift it right off the plate) at a right angle to the valve. Press down to put a bend or kink in the valve. This kink will help prevent the two halves of the valve from sticking to each other. Again, you only need to do this to the valves that are showing when you remove the cover plates; DON'T remove the reed plates to work on the inside valves.

If all else fails, replace the valve (and do the procedure described above before using the instrument again). Hohner sells sets of valves fairly cheaply. Pliobond glue works well.

Valve maintenance is an ongoing issue with chromatics. On the plus side, it's easier than making reeds for an oboe or tuning a piano. Good luck.

Richard Hunter
website:www.rootsworld.com/hunter/
 

 

Talking with DAN FRANK
Artist Relations, Trueline Drumstick Company

www.guitarsam.com/interviews/dan_frank.htm

Dan Frank has a long history with the Trueline Drumstick Company, starting as a player, then employee, on to co-owner, and currently handles artist relations as well as many other aspects of keeping this innovative drumstick company in the public eye, manufacturing one of the world's finest and most unique drumsticks.

We talked with Dan to get the inside scoop, and this link will take you to what he had to say.

www.guitarsam.com/interviews/dan_frank.htm

Trueline Drumsticks are available from Play It Again Sam at: www.guitarsam.com/catalog/trueline.htm

 

Upcoming Interviews

Colin Hay, Men at Work
Richard Hunter, harmonica virtuoso/teacher/author
Ed Roseman, "Edly's Music Theory for Practical People"
Annie Raines, blues harmonica player with Paul Rishell, John Sebastian
 

 

Paul Rishell Workshop

paul rishellOn Sunday, January 23, 2000, we will be honored to have the one and only Paul Rishell conducting a country blues guitar workshop at Play It Again Sam. This is a "hands-on" workshop, so bring your acoustic guitar, plus pen and paper. It runs from 1-3 PM, and admission is just $20. Please call or email to reserve your space.
 
sam@guitarsam.com
1-802-229-0295
 
Read our recent interview with Paul Rishell at www.guitarsam.com/interviews/paul_rishell.htm

 

Annie Raines Workshop

annie rainesOn Sunday, January 23, 2000, we will have blues harmonica phenomenon Annie Raines conducting a blues harmonica workshop at Play It Again Sam. It runs from 1-2 PM, and admission is just $10. Please call or email to reserve your space.

Annie is part of the blues duo Paul Rishell and Annie Raines, who record on Tone-Cool Records, and Annie is also a member of John Sebastian's J Band.

sam@guitarsam.com
1-802-229-0295

 

Monthly Giveaway!

This months ezine includes an interview with Dan Frank from the Trueline Drumstick Company.

If you're the first person to email us describing why the "Original" model of drumstick that Trueline makes is so different, you'll win three pair of Trueline sticks, your choice of size.

Congratulations to Christian Guirreri in Virginia, for quickly providing the first correct answer. Trueline Drumsticks are made with a bump in the grip, to provide a better grasp.

Christian won three pair of Trueline Drumsticks!

 

Last Month's Winner!

Congratulations to Casey Johnson of Vermont, for quickly providing the first correct answer to our question, which was:

Q) For many years, Tom Rush has conducted a series of shows with various musical artists. What is the name of this traveling folk show, and where the name come from?

A) The correct answer was: Club 47, named after the popular music club in Cambridge MA, where Tom Rush gigged in the early days of his career.

Casey won a CD of "The Very Best of Tom Rush: No Regrets".

Last month's interview was with Tom Rush, available at: www.guitarsam.com/interviews/tom_rush.htm

 

Ordering from Us

"Guaranteed to Thrill You!"

Our return policy is very easy to read:
If it doesn't thrill you, send it back to us!
 
You have 10 days after receiving your purchase to decide whether you
want to keep it. If you decide it's not for you, just contact us, and
we will guide you through the simple process of returning it, and we
will issue you a 100% refund on your purchase, plus the shipping
charge to you. (Applies to US ground shipping charge only)
 
To see more of our ordering procedures, read
www.guitarsam.com/services/order.htm

Shipping Charges...In the 48 connected states, you can consult our
shipping chart at www.guitarsam.com/services/order.htm


Play It Again Sam ships worldwide! If you're outside of the 48 connected states, send us your zip code, and the items you are interested in, and we'll report to you what the best shipping options are.

 

Previous Issues

Past issues of the GuitarSam eZine are available at:

www.guitarsam.com/ezine/archive.htm

 

Reader and Customer Feedback

"I have contacted Tacoma and you guys to register my DR20. Both were to send me registration materials. Is there a secret handshake I haven't learned? Have you heard me play somewhere and don't want to have anything to do with the nasty things I do to guitar strings? Please advise on my next step. I love your ezine and God bless you for reminding me of DC guitar legend Roy Buchanan. I love my DR20 and am recommending it to everybody I know. Thanks in advance for your rapid response."

John


"Thanks again for the reply. Resources like yours are always useful to our studio, helping us provide clients with an exceptional sound. We will be glad to refer others to your site."

Regards,
David


"I want to thank you for the excellent customer service. You will be mentioned to all my students as well as friends!"

Harry


"I just read my first edition of your web e-zine. Nice job! It shows your enthusiasm for your business and music."

Tom


"Just a note to tell you how nice and friendly your site is. The personality of your company really shines through - why shouldn't it? Music, above all things, should be fun!!!"

Enjoy,
Lynn


"Was just singing your praises to a friend of mine that plays and collects guitars. He has visited your shop and really likes it. I really love to see the young guys hanging there, lusting over the Peavey amps, etc, and getting the chance to handle some good equipment firsthand. I guess this is a good time to just say thanks for all the good times your store has provided me with. I know that this area would be at a loss without it."

Carl


"Got the Danelectro 12-string yesterday and love it (who wouldn't). Thanks for all your help, and for taking care of all the details, and sending it all factory fresh and all. I love that the best. Look forward to doing business with you again in the future."

Diane


"Hey, nice article in USA Today! The little guy fights back! Hope the exposure translates into many profitable hits."

Mark


"Hey, thanks a million for that t-shirt. It's stunning!"

Chris


"Love your new logo. Perhaps I'll get it turned into a tattoo to add to the others."

Bill


"Thank you for the suggestion, it works fine :-) I check out your site quite often and I rate it #1 for guitar related information."

Frank


"I received your t-shirt today and I wanted to thank you. It's very nice quality, and I intend to wear it to church this weekend. (For me it's very well dressed.)"

Jack


"Just wanted to thank you for putting out a great eZine. I especially enjoy hearing about all the other great guitar sites, as well as the tips that you give about guitars and their maintenance. I look forward to receiving it each month."

Scott


"I want to thank you for the prompt reply and am glad to hear that this is an item that you normally stock, and not a special order item. Once again, thank you...it is very refreshing to find a company these days that still offers customer service like you have shown me today."

Dan


Face your amp and squeal some feedback to us about Play It Again Sam and the GuitarSam eZine!

Tell us what you like, what you don't like, and send your thoughts to us at: sam@guitarsam.com


Watch for our next issue of the GuitarSam eZine, due on February 1, 2000.

 

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Contact Information

Kevin Crossett, your eZine host!
Play It Again Sam
http://www.guitarsam.com
66 Main St. Montpelier VT 05602 USA
Tel 1(802) 229-0295 Fax 1(802) 229-0755
kevin@guitarsam.com
 
The GuitarSam eZine is a copyrighted publication of Play It Again Sam and Stable Management Corporation of Montpelier, VT, USA. Please email for permission to reproduce any contents of this newsletter in other publications, including print, email and Internet. kevin@guitarsam.com
 
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